Zippered pouches for cords, cosmetics, pencils, and the small chaos of a good bag.
Every good bag is one zip pouch away from being organized — this is that pouch. Two sizes, printed to order in the studio's designs: the small for cords, lipstick, and boarding-pass chaos, the large for brushes, pencils, and everything that otherwise lives loose at the bottom of the bag. Most of them match a weekender, a tote, or both — which is how a packing list becomes a look. Arranged by design world, like everything else here.
The studio's largest world — roses, blossoms, and botanicals with a full heart. The one people stop you to ask about.
Lemons, oranges, and olive branches at their brightest. A Mediterranean morning, in hand.
Ray's landscapes — Yosemite, Sedona, the long way home. For people who'd rather be outside, carrying proof.
Seashells, starfish, and striped ocean air. The coast, coming with you.
Ninety-three of these designs also live on a full weekender — start with the pouch, and when the long weekend calls, the big bag already matches.
Pop swirls, psychedelia, and kaleidoscope colour. Impossible to lose in a crowd, which is half the point.
Atomic lines and cocktail-hour colour — the warm geometry of the fifties and sixties.
Nebulas, rocket romps, and the long view of Earth from orbit. For anyone who packs a bag for the stars.
Hibiscus, palm shade, and island colour for wherever the sun finds you.
Mesa stripes, cactus blooms, and desert light. Built for long roads and dry evenings.
Prisms, hexes, and blooms cut to clean repeats. Order, in a bag that rarely has any.
The classic line, in every width and colourway — awning, regatta, and royal.
Ray's folk-art creatures, jewel-toned and entirely themselves.
Village greens, lone stars, and open roads — nostalgic America, drawn with a light hand.
Bring home a little bliss.
