A runner changes the whole room. Pick the pattern; dinner does the rest.
Of everything a table can wear, the runner does the most with the least — one length of pattern down the middle, and the whole room stands up straighter. Each one is printed to order on 100% cotton twill in two lengths, 72 and 90 inches, and cut from the same cloth as the placemats and napkins that match it, so the table can be dressed in stages — or all at once, on the night it matters. Arranged by design world, like everything else here, so the runner you love leads straight to the rest of the table.
The studio's largest world, and the one a dining table wears most naturally — chintz roses, English blooms, and botanicals with a full heart. The safe answer and the beautiful one at the same time.
Songbirds and hummingbirds down the length of the table. A quiet centrepiece for anyone who keeps a feeder by the kitchen window.
Lemons, oranges, and olive branches — a long Mediterranean lunch, laid down the middle of the table. Bright enough to carry a room with nothing else on it.
Delft blues and countryside toile — the table linen equivalent of good china. Three centuries of dinner parties can't all be wrong.
Eighty-nine of these designs also come as cloth napkins, cut from the same cotton twill — dinner scale and cocktail scale, in sets of four and eight. Dress the middle of the table, then the places.
Salt air and shoreline, the length of the table. For screened porches and the last supper of a beach week.
Pop swirls, psychedelia, and kaleidoscope colour — the runner as the loudest thing in the room, deliberately. Pair it with plain white plates and let it talk.
Atomic shapes and confident color — tables set for cocktail hour.
Nebulas and the long view from orbit, down the middle of the table. Dinner, at some distance from Earth.
Fairy meadows and forest floors with secrets. For tables that host storytellers.
Gingham and tartan, pressed crisp — picnic charm that behaves indoors. The runner that makes a Tuesday look intentional.
Hibiscus and palm shade, the length of the table. Best where the doors stay open.
Mesa stripes, cactus blooms, and desert light. Made for chile, cornbread, and evenings that run long.
Prisms, kaleidoscopes, and petals cut to clean repeats. Order down the centre of the table, which is exactly where a room needs it.
Regency damasks, arabesques, and baroque tapestries. Patterns with a pedigree, for the table you set properly.
The classic line, in every width and colourway. The most quietly confident thing a table can wear.
Good food, good company, good design — runners that are frank about the assignment.