Fifteen ounces of glossy white ceramic with the studio's artwork wrapped all the way around - art on every side, morning approved. Dishwasher and microwave safe, printed to order, and arranged by design world like everything else here. Fourteen of these designs also come as a 20 oz insulated travel tumbler, if the pattern needs to leave the house with you.
The studio's largest world — roses, blossoms, and botanicals with a full heart. For rooms that refuse to be beige.
The pattern that keeps growing: red blooms and songbirds on midnight blue, first a pillow, then a sherpa blanket, and now wrapped around fifteen ounces of proper morning coffee. One of the studio’s most-loved designs, in its most useful form yet.
Ray's landscapes — Yosemite, Sedona, and the long way home.
Seashells, starfish, and striped ocean air. The coast, carried home.
Fourteen of these designs also live on a 20 oz insulated tumbler — the same pattern for the kitchen counter and the car cup holder. No arguments about who gets the good one.
Pop swirls, psychedelia, and kaleidoscope colour — the album-cover decades, all in one place.
Atomic lines and cocktail-hour colour, and the warm geometry of the fifties and sixties.
Fairy meadows, dancing goddesses, and forest floors with secrets. A little everyday magic.
Hibiscus and palm shade for the warmest room in the house.
An owl at the window, a bear by the fire, midcentury waves and a busy chef — the studio’s autumn shortlist for the first cup of the day.
Desert light and canyon colour — mesa stripes, cactus blooms, and high-desert sunsets.
Prisms, hexes, and blooms cut to clean repeats — order, right on the breakfast table.
Good food, good company, good design. Pull up a chair.
Mamma, Papa, and Uncle Bear — three folk-art bears in their knitted sweaters, and the favorites of the owner of this shop. The rare gift that sorts itself out: one for each, and no arguments about whose is whose.
Ray's folk-art creatures, jewel-toned and entirely themselves.