20oz insulated stainless tumblers — a studio favorite, wrapped edge to edge in pattern with no seam at the back.
Twenty ounces of double-walled stainless steel, with the design dye-sublimated into the finish rather than printed on top of it — so there's nothing to peel, scratch or apologise for on the third month. Hot stays hot, iced stays iced, and the lid is the kind you can actually drink from. Arranged by design world, like everything else here. A note from Gay, who owns this shop: my own favorite is the Renaissance Rapture tumbler — so unique and so beautiful, it reminds me of English cottages and old European wallpaper. I carry mine everywhere, and strangers stop to compliment it more often than I can count.
The studio's largest world — roses, blossoms, and botanicals with a full heart. The one people stop you to ask about.
Songbirds, hummingbirds, and honest-working bees. Small company for a long day.
“So unique and so beautiful — it reminds me of English cottages and old European wallpaper. I carry mine everywhere, and strangers stop to compliment it more often than I can count.” — Gay
Lemons, oranges, and olive branches at their brightest. A Mediterranean morning, in hand.
Seashells, starfish, and striped ocean air. The coast, coming with you.
Pop swirls, psychedelia, and kaleidoscope colour, wrapped the whole way round. Seamless, so the pattern never stops.
Eight of these tumblers have a foldable umbrella wearing the very same pattern. The set was made for October — and for the kind of person strangers smile at in the rain.
Atomic lines and cocktail-hour colour — the warm geometry of the fifties and sixties.
Nebulas and the long view from orbit, wrapped seamlessly. The most literal way to take coffee into deep space.
Gingham, tartan, and the classic check — picnic charm, pressed crisp.
Hibiscus, palm shade, and island colour for wherever the sun finds you.
Tapestry blooms, October gardens, golden vines and poppies — the studio’s autumn shortlist, while the light is low and the drinks are hot.
Mesa stripes, cactus blooms, and desert light. Built for long roads and dry evenings.
Prisms, hexes, and blooms cut to clean repeats. Order, in a bag that rarely has any.
Regency damasks, arabesques, and baroque tapestries. Patterns with a pedigree.
The classic line, in every width and colourway — awning, regatta, and royal.
Good food, good company, good design — frank about the assignment.
Bring home a little bliss.
